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A Bar at the Folies-Bergère

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A Bar at the Folies-Bergère
painting
Golle imaaɗe1882 Taƴto
TitleUn bar aux Folies Bergère Taƴto
MovementImpressionism, French Realism Taƴto
LesdiBiritaani-Mawndi Taƴto
Nder laamooreLondon Taƴto
LocationCourtauld Gallery Taƴto
Genreportrait Taƴto
CreatorÉdouard Manet Taƴto
Catalog code121, 388 Taƴto
Made from materialoil paint, canvas Taƴto
Depictsgaze towards the viewer, woman, beer, Folies Bergère Taƴto
CollectionCourtauld Gallery Taƴto
Inventory numberP.1934.SC.234 Taƴto
Described at URLhttps://courtauld.ac.uk/gallery/collection/impressionism-post-impressionism/edouard-manet-a-bar-at-the-folies-bergere Taƴto
Copyright statuspublic domain Taƴto
Set in environmentcabaret Taƴto
 

Bar at the Folies-Bergère (e Farayse: Un bar aux Folies Bergère) ko natal Édouard Manet, ngal hiisetee ko golle makko cakkitiiɗe mawɗe. Nde pentiraa ko e hitaande 1882, nde hollitaama to Salon Pari e ndeen hitaande. Ina hollita heen dingiral e nder dingiral jamma biyeteengal Folies Bergère to Pari. Natal ngal ko jeyi jimoowo biyeteeɗo Emmanuel Chabrier, sehil Manet no feewi, ngal fawii e dow piyanɗe makko. Jooni ko e galle Courtauld to Londres.

Fawnugo

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Natal ngal ina hollita darnde Manet e goonga e nder hollirde mum laaɓtunde e dingiral hannde ngal. Feereeji keewɗi ina njiyloo koye mum en kono ko famɗi fof kolliraama ina njogii daliilu, kadi nate ɗee ina mbaɗi binndanɗe keewɗe ɗe yimɓe fof njiɗi e annduɓe[1][2][3][4][5][6][7][8][9][10].

Limre hakkundeere ndee ina darii yeeso daarorgal, hay so tawii noon ñiŋooɓe ɓee – ina tuuma Manet wonde majjere yi’annde e tuumaade ko heewi e ko waawaa waɗeede e nder nate ɗee – ina njeewtida e ndeeɗoo toɓɓere gila nde ƴeewte gadane ɗee njaltinaa. Kono e hitaande 2000, daartoowo naalankaagal biyeteeɗo Malcolm Park hollitii wonde yi’annde ndee ina waawi waɗeede e ɓanndu, nde tawnoo o waɗii ƴeewndo hollirngo ngam ƴellitde dingiral ngal no Manet pentiri nii. E fawaade e ngool peewnugol, "yeewtere nde heewɓe cikkatnoo ina waɗa hakkunde barmaid e gorko ina feeñnina wonde ko feere optik—gorko oo ina darii e yaasi nokku ɗo pentoowo oo yi’ata ɗoo, to bannge nano, ina ndaara barmaid oo, wonaa daraade ñaamo yeeso makko."[3] As it the appstanding to bar oo ɓuri gorko mo miijo mum feeñata e damal ñaamo natal ngal. Ɗumɗoo ko yaltugol ngol heewaani yiyeede e toɓɓere hakkundeere heewnde teskaade so ƴeewdaama natal ƴettaangal fawaade e yiyannde.

Jannde ngam bar to Folies-Bergere (1881)

Tabitingol woodde daarorgal ina waɗi nafoore mawnde e firooji jamaanu keewɗi.Ina rokka nanondiral laaɓtungal e Las Meninas, ko naalanke mo Manet yiɗi, hono Diego Velázquez, waɗi. Won ƴellitaare mawnde e ndee toɓɓere gila nde Michel Foucault ƴetti nde e deftere mum wiyeteende « Ordre des choses » (1966).

Daartoowo naalankaagal biyeteeɗo Jeffrey Meyers ina siftina pijirlooji anniyaaji e dow yi’annde e ko nanndi e majjere golle miijooji : "Caggal makko, e yaajde e njuuteendi pentol ngol fof, ko kañum woni mbaydi kaŋŋe miijooji mawɗi waylata geɗe e gite, gite e geɗe, miin e woɗɓe, woɗɓe e am.' Enen, yiyooɓe ɓee, eɗen ndarii e sara barmaid oo bannge goɗɗo oo e counter oo, eɗen ƴeewa gite men e nder gite, eɗen njiya ko o yi’ata koo tigi... Critique gooto teskiima wonde Manet ‘jaŋde adannde hollirta ko o joɗɗinaama to bannge ñaamo, tawi noon e nder canvas timmuɗo oo, ko kanko woni no feewi hakkunde attention’. Hay so Manet waylitii mo gila nyaamo haa caka, o jokki miijo makko e nyaamo, o yi’aama e nder daarorgal, o wayi ko no o jokkondirii e soodoowo e yeeso timmungo, omo reena hoore makko, omo woɗɗitoo.

Natal ngal ina heewi defte baɗɗe faayiida to bannge renndo e milieu. Debbo gonɗo to bar oo ko neɗɗo tigi-rigi, ganndiraaɗo Suzon, gollinooɗo to Folies-Bergère e fuɗɗoode kitaale 1880. Ngam pentugol makko, Manet ƴetti mo e nder suudu makko. E naatnude diƴƴe oraas e yeeso, Manet hollitii barmaid oo ko debbo jom suudu, e wiyde daartoowo naalankaagal biyeteeɗo Larry L. Ligo, wiyɗo wonde Manet ina heewi jokkondirde oraas e jom suudu e nder nate mum. T. J. Clark wiyi wonde barmaid oo "ina yiɗi lomtaade gooto e jom en jawɗeele en ɓe Folies-Bergère anndiraa no feewi", mo lomtotoo "hono yeeyoowo e marsandiis—ko huunde nde soodata wondude e njaram.

Detaayuuji goɗɗi teskiniiɗi ina mbaɗi koyɗe ɗiɗi ɓaleeje to dow ŋoral nano, jeyaaɗe e naalanke trapeze mo waɗata dow patrons restora oo. Butelaaji biir kollitooji ɗii ina newii anndeede e mbaydi tatiire boɗeeri e dow nate ɗee, hono Bass Pale Ale, e woodgol ngalɗoo marke Biritaannaaɓe e nokku biir Almaañ, firti ko binndanɗe kollitooje miijooji luulndiiɗi Almaañ e nder Farayse e nder duuɓi sappo caggal wolde Farayse e Prusse.

Tuugnorgal pinal

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Balet Bar aux Folies-Bergère mo hitaande 1934 e koreeji Ninette de Valois e jimɗi Chabrier sosaa ko e, e tuugnaade e, nate Manet.[9] Filmo 1947 biyeteeɗo Les affaires privées de Bel Ami ina hollita e nuunɗal A Bar at the Folies-Bergère hojomaaji capanɗe jeenay e jeenay e nder filmo oo e fijoowo nannduɗo e mum, set e props nde yimɓe mawɓe ɓee naatata e nder estaad oo.

Natal ngal ko ƴoƴre jimol (ina gasa tawa ko Sydney Carter) e nder peewnugol tiyaataar lollungol biyeteengol The Lyric Revue, to Londres e hitaande 1951. Natal ngal yahri ko "Oh, no njiɗir-mi hootde e Bretagne am giɗo [...] Kono hoddiro suɓiima mi e bar to Folies-Bergères".

Natal biyeteengal The Bar (1954) ngal naalanke Ostarali biyeteeɗo John Brack waɗi, ngal hollirta ko...Ko ɓuri heewde e nokkuuji bar Melbourne, ko huunde teskinnde e A Bar to Folies-Bergère.

E nder filmo Eddie Murphy biyeteeɗo Coming to America mo hitaande 1988, ko ƴattooje e nate ɗe barmaid en ngoni rewɓe ɓaleeɓe ɓoorniiɓe comci boɗeeji e woodi hamburger e dow taasawol e dow counter ina waawi yiyeede ina fawii e hoɗorde McDowell.

Naalanke Kanadaa biyeteeɗo Jeff Wall ina siftora « Bar to Folies-Bergère » e nder deftere mum Natal wonande rewɓe (1979).Binndol mahol Tate Modern ngam Natal ngam Rewɓe, ummoraade e koolol 2005-2006 Fotooji Jeff Wall 1978-2004, hollitii batte natal Manet:

E nder natal Manet, barmaid ina ndaara e nder kaɓirgal, ina teskaa e mbaydi gorko ɓuuɓɗo. Dingiral ngal fof ina wayi no ina feeñi e daarorgal caggal barme oo, ina waɗa lowre yi’anndeeji caɗtuɗi. Wall ina ñamla mbaydi ndernderi pentol ngol, e motiiji ko wayi no lampaaji lampaaji dokkuɗi ɗum luggiɗde nokku. Limlebbi ɗii noon ina peeñnina e nder gite, debbo oo ina jogii gite ɓuuɓɗe e darnde barmannde Manet, gorko oo ko naalanke oo e hoore mum. Hay so tawii geɗe ƴeewndo gorko, haa teeŋti noon e jokkondiral doole hakkunde naalanke gorko e model debbo, e darnde ƴeewoowo oo e ƴeewoowo, ina njiyloo e nder nate Manet, Wall ina hesɗitina tiitoonde ndee e jogaade kamera e hakkunde golle ɗee, mbele ina nannga golle waɗde natal ngal (the mirror in the time, the mirror re, the straight time, e) to amen.

Ƴeew kadi

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  • Doggol nate ɗe Édouard Manet waɗi
  • 1882 e nder art

Tuugnorgal e iwdi

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  1. ↑ Malcolm Park, Ambiguity, and the Engagement of Spatial Illusion within the Surface of Manet's Paintings (PhD dissertation, University of New South Wales, Australia, 2001).
  2. ↑ Thierry de Duve, "Intentionality and Art Historical Methodology: A Case Study". Nonsite.org Issue #6, July 1, 2012 Archived 2017-11-08 at the Wayback Machine; builds and corrects previous work Thierry de Duve, How Manet's A Bar at the Folies-Bergere is Constructed, Critical Enquiry, Vol. 25, No. 1, Autumn 1998, pp. 136–168.
  3. ↑ "Manet's Bar at the Folies-Bergère: One Scholar's Perspective" Archived 2018-03-23 at the Wayback Machine, www.getty.edu. Retrieved July 20, 2012.
  4. ↑ Bradford R. Collins, ed., 12 Views of Manet's Bar, Princeton, New Jersey: Princeton University Press, 1996
  5. ↑ Foucault has given a talk on Manet's Bar at the Albright-Knox Art Gallery in Buffalo on April 8, 1970. He had planned a book on Manet's painting and gave a series of lectures during 1970/1 but the project was abandoned; see Cahiers de L'Herne: Michel Foucault, March 2011
  6. ↑ Jeffrey Meyers, Impressionist Quartet: The Intimate Genius of Manet and Morisot, Degas and Cassatt. New York: Harcourt, 2005. p. 77
  7. ↑ Doris Lanier, Absinthe, the Cocaine of the Nineteenth Century: A History of the Hallucinogenic Drug and Its Effect on Artists and Writers in Europe and the United States, McFarland, 2004, pp. 102–103. ISBN 0786419679
  8. ↑ Kenneth Bendiner, Food in Painting: From the Renaissance to the Present, Reaktion Books, 2004, pp. 73–74. ISBN 1861892136
  9. ↑ Rambert, Marie. Quicksilver: an autobiography. Papermac (Macmillan Publishers Ltd), London, 1983, p157.
  10. ↑ "The great art robbery". The Age. 2006-04-14. Archived from the original on 3 November 2012. Retrieved 19 March 2009.
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