Madeeh

Madeeh (Aarabeeɓe: مديح madīḥ) ko jimɗi nannduɗi e jimɗi lislaam ina njetta Alla e annabi lislaam Muhammadu. Etnomusikoloji biyeteeɗo Artur Simon siftinii madeeh ko "mantooje, jimɗi yettoode, teddinde e, e nder ɗuum, jimɗi yettoode ngam teddinde Alla e Muhammadu. Ko gorko gooto walla fedde worɓe tokosere janngata ɗum, ina waawi kadi yahdude e ɓuuɓri juuɗe walla jimɗi juuɗe aadaaji.

Golle diine e nder renndooji lislaam

Gimɗi madeeh ɗii ina keewi hollirde diineeji gonɗi e nder ɓerɗe nannduɗi e diineeji suufiyankooji walla miijooji diineeji moraal. Heewi waɗeede ko e juuldeeji keertiiɗi walla e juuldeeji renndo, ko wayi no mawlid-an-Nabi, kono ina waawi kadi naneede e nder laabi luumooji aadaaji.^[1]^[2]

Ko nanndi e haala diine, madeeh ina seerti e golle renndoyankooje e jaŋngugol dhikr. Nokkuuji goɗɗi ɗi pelle mbaɗata e nder pinal jimɗi Sudaan, Ejipt e renndooji goɗɗi e nder Fuɗnaange Afrik walla Fuɗnaange hakkundeejo ina wiyee zār walla tambura, ko rewɓe tan mbaɗata ɗum.^[3]

Ƴeew kadi

Sufism

Music of Sudan

Tuugnorgal

↑ Simon, Artur (2001). Sudan, Republic of. Grove Music Online. doi:10.1093/gmo/9781561592630.article.27077. ISBN 978-1-56159-263-0.
↑ "Madīḥ means praise, praise poem, glorification and, in this context, praise hymn in honour of Allah and the Prophet Muhammad. One of the most famous madīḥ traditions in northern Sudan can be traced back to its founder Hajj El-Mahi, who lived in Kassinger near Kareima from c1780 to 1870. He is said to have composed about 330 religious poems that continue to be sung with an accompaniment of two ṭar. His descendants still cultivate this tradition. The song texts often reveal rapturous religiosity or moral intent. Their performance is part of private celebrations or public festivities, and can also be heard in the streets of the markets." Source: Artur Simon, 2001.
↑ "The Egyptian "zar" ritual". Qantara.de - Dialogue with the Islamic World (in Engeleere). Retrieved 2021-08-17.

Janngugol goɗɗol

Simon, Artur (ed.) (1998). Ḏikr ud Madīḥ: islamische Gesänge islamien im Zeremonien im Sudaan, Collene 22 e 23, [2 CD, incl. notes e A. Simon]

Zenkovsky, S. (1950). ‘Zar e Tambura no rewɓe Omdurman’, Notes e Records Sudan, 31, pp. 65–85

[:0-1] Simon, Artur (2001). Sudan, Republic of. Grove Music Online. doi:10.1093/gmo/9781561592630.article.27077. ISBN 978-1-56159-263-0.

[2] "Madīḥ means praise, praise poem, glorification and, in this context, praise hymn in honour of Allah and the Prophet Muhammad. One of the most famous madīḥ traditions in northern Sudan can be traced back to its founder Hajj El-Mahi, who lived in Kassinger near Kareima from c1780 to 1870. He is said to have composed about 330 religious poems that continue to be sung with an accompaniment of two ṭar. His descendants still cultivate this tradition. The song texts often reveal rapturous religiosity or moral intent. Their performance is part of private celebrations or public festivities, and can also be heard in the streets of the markets." Source: Artur Simon, 2001.

[3] "The Egyptian "zar" ritual". Qantara.de - Dialogue with the Islamic World (in Engeleere). Retrieved 2021-08-17.

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