Nakamura-za
Appearance
Nakamura-za
| Yemre | Three Theatres of Edo |
|---|---|
| Golle imaaɗe | 21 Jolal 1624 |
| Founder | Nakamura Kanzaburō I |
| Lesdi | Japan |
| Nder laamoore | Asakusa-ku |
| Date of official opening | 21 Jolal 1624 |
| Date of official closure | 22 Siilo 1893 |
Nakamura-za (中村座) ina jeyaa e cuuɗi tati mawɗi kabuki Edo e bannge Morita-za e Ichimura-za.
Tariya
[taƴto | taƴto ɗaɗi wiki]Sosaa nde ko e hitaande 1624, ko Nakamura Kanzaburō 1ɓo. Nakamura-za ummi haa laamorgo kesum Tokyo nder hitaande 1868 nden ɓe udditi les laamu Nakamura Kanzaburo I, iwdi Nakamura Kanzaburo XIII (1828-1895) bana zamoto. Caggal ɗuum kadi nde innitiraa ko Miyako-za (都座).
Koppi Nakamura-za mo njaajeendi mum tigi rigi ina tawee e nokku defte Edo-Tokyo.
Tuugnorgal
[taƴto | taƴto ɗaɗi wiki].[1].Kabuki Plays on Stage: Restoration and Reform, 1872–1905 – Page 3 James R. Brandon, Samuel L. Leiter – 2003 "dwindled to the point that the Nakamura-za was dark for fifty-eight days and the Ichimura-za for thirty-eight. That autumn, in a display of political awareness, the Morita-za and the Nakamura-za joined forces to stage the prophetically titled Dedication of Loyalty to the Eastern Capital (Azuma no Miyako Chushin Yurai), with "eastern capital" being ...Tokyo" "In Tokyo the three licensed theatres continued without change".[2]
[taƴto | taƴto ɗaɗi wiki]- ↑ Japanese Aesthetics and Culture: A Reader – Page 205 Nancy G. Hume – 1995 "While the Nakamura-za in Edo provides a detailed illustration of the physical design of a theater ... no two were identical. Theaters were, moreover, periodically rebuilt, for fires frequently ravaged Edo."
- ↑ Tsuji, Nobuo, ed. (1985). 写楽の謎と鍵. Sharaku 浮世絵八華. 4, 写楽. Ukiyo-e hakka (in Saponeere). 4. Heibonsha. p. 82. ISBN 4-582-66204-8.