Women in Shakespeare's works

Rewɓe e nder Shakespeare ko toɓɓere e nder yeewtere teeŋtunde huuɓtodinnde e golle Shakespeare 's daartol e jimɗi. Jikkuuji mawɗi ko wayi no Dark Lady of the sonnets njiyti ko heewi e ñiŋooje, ɗe keɓii ɓeydaare e sahaa njiimaandi feminism ɗiɗaɓiri e kitaale 1960. Janngirɗe keewɗe juutɗe e defte e binndanɗe janngirɗe ina njuurnitoo ndee toɓɓere, e lewru Uraanus keewndu ina inniree rewɓe e nder Shakespeare.^[1]

E nder musibbaaji Shakespeare e pijirlooji mum e nder kuuɓal, ina waɗi sifaaji jikkuuji rewɓe keewɗi. Eɗe njiyloo jikkuuji goɗɗi, kono kadi eɗe keewi ustaade. Rewɓe e nder pijirlooji Sekseer ina njoginoo darnde teeŋtunde, sahaa e sahaa fof ko darnde ardiinde. So tawii ko ngam waylude daartol walla dartinde ɗum, ko sabaabu ɓe ngoni ɗoon. Won e rewɓe ɓuri woɗɓe semmbe, batte mum en e pijirlooji ina ceerti wonande gooto e maɓɓe fof. Ɓe keewi ko ɓurde jaambaarooji worɓe.

E jamaanu Shakespeare, ko huunde nde rewaani laawol, rewɓe ina njiyloo dingiral e nder dingiral, omo ɗaminii wonde denndaangal geɗe makko rewɓe e nder dingiral ko sukaaɓe walla worɓe mbaɗata ɗum. Won e fiyooɓe worɓe Elizabethan en keɓtinii golle rewɓe.

Taariindi

Ƴeewndorɗe teeminannde 19ɓiire

Ko adii fof, ñiŋooje rewɓe e nder daartol Shakespeare, ɓuri teeŋtude ko e sifaaji moƴƴi ɗi jimoowo oo rokkata ɓe, ina heewi wiyde wonde Shakespeare ina nanngi e goonga "essence" debbo. Helen Zimmern, e nder fuɗɗoode firo Engele e wiɗto Louis Lewes wiyeteende The Women of Shakespeare, wiyi e hitaande 1895 wonde « e nder dramatis personae Sekseer, rewɓe makko ina gasa tawa ko kamɓe ɓuri welde, kadi, e sifaa gooto, ko ɓuri heewde e tagooje makko asliije, ko noon kadi, ko ɓuri heewde e tagooje makko asliije ko kamɓe ngoni, ko noon kadi, ko kamɓe ngoni, ko ɓuri heewde e tagooje makko, ko kamɓe ngoni, ko wayi no binndol jamaanu makko." Kanko Lewes o fiyi heen tonngoode yettoode nanndunde e ndee e nder joofnirde makko : « Ɓoornugol yimoowo oo udditii luggiɗde e tagoore debbo, ɗo, ko jiidaa e jikkuuji giɗli e laaɓtuɗi, giɗli kulɓiniiɗi ina mbaɗa geɗe mum en kulɓiniiɗe e maayɗeele ».

Ndee ɗoo yonta gadano rewɓe e nder Sekseer, joofɗo e fuɗɗoode teeminannde noogas, ina maantiniri tonngoode e jokkondire keewɗe no feewi e tabitingol ɗooftaare debbo. Winndooɓe deftere 1983 wiyeteende The Woman's Part, ina tuugnii e defte tati ɗe rewɓe winndi gila e teeminannde 19ɓiire (deftere jogiinde doole, Heroines de Shakespeare: Charactéristiques des femmes de Anna Jameson, nde yaltinaa e hitaande 1832, e defte ɗiɗi ɗe Shakespeare winndi heroines gila 1885) timminii wonde ɓeeɗoo ñiŋooɓe adanɓe ina "ɓe mbeltiima" nde jaambaarooji Shakespeare mbaɗata "ko wonaa debbo", e wonde waylude daartol maɓɓe "ina yetta weltaare sukaaɓe rewɓe e neɗɗaagal e mbaadi ndi hannde feeñata effusive." Ko ɗeen ngoni, ɓe mbiyi, « keeri pinal » to bannge rewɓe ƴeewooɓe e winndooɓe jannguɓe e ƴellitooɓe rewɓe Sekseer.

Ñaawooje jamaanu

Ɓeen ƴeewooɓe ko ɓooyaani koo ina ƴetta laabi keewɗi e toɓɓere ndee. Wonande ƴeewooɓe rewɓe ɓe feminism Farayse, ƴeewndo ɓanndu debbo e nder pijirlooji Sekseer hollitii wonde ina waɗi nafoore. Carol Chillington Rutter, winndiyanke deftere wiyeteende « Naatde e ɓanndu : rewɓe e wakilaagu e dingiral Sekseer » (2001), ina teeŋtini e yeru ɓanndu Cordelia, nde baaba mum, laamɗo Lear, nawtata ɗum e dingiral ; dow ɓanndu Ofeliya nder yanaande; e dow ɓalli rewɓe ɗiɗo ɓee e dow leeso to joofnirde Othello, "pijirlooji bonɗi bonɗi rewɓe."

Tuugnorgal

↑ Richmond, Hugh Macrae (2005). Shakespeare's theatre: A dictionary of his stage context. London: Continuum. ISBN 978-1784029364. Lewes, Louis (1895). The Women of Shakespeare. Hodder. p. vi. Lewes, The Women of Shakespeare, 369. Lenz, Carolyn Ruth Swift; Gayle Greene; Carol Thomas Neely (1983). The Woman's Part: Feminist Criticism of Shakespeare. U of Illinois Press. pp. 10–11. ISBN 978-0-252-01016-3. Rutter, Carol Chillington (2001). Enter the Body: Women and Representation on Shakespeare's Stage. Routledge. p. 151. ISBN 978-0-415-14163-5.

[1] Richmond, Hugh Macrae (2005). Shakespeare's theatre: A dictionary of his stage context. London: Continuum. ISBN 978-1784029364. Lewes, Louis (1895). The Women of Shakespeare. Hodder. p. vi. Lewes, The Women of Shakespeare, 369. Lenz, Carolyn Ruth Swift; Gayle Greene; Carol Thomas Neely (1983). The Woman's Part: Feminist Criticism of Shakespeare. U of Illinois Press. pp. 10–11. ISBN 978-0-252-01016-3. Rutter, Carol Chillington (2001). Enter the Body: Women and Representation on Shakespeare's Stage. Routledge. p. 151. ISBN 978-0-415-14163-5.

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